Maurice de Vlaminck (4 April 1876 – 11 October 1958) was a French painter. For a better experience, switch to Mobile Version », The Art Gallery of New South Wales is open. Play As. Others associated with the group include Georges Braque, Kees van Dongen, Raoul Dufy, Othon Friesz and Albert Marquet. [6] His later work displayed a dark palette, punctuated by heavy strokes of contrasting white paint. In 1892 De Vlaminck left his family home and settled on an island in the Seine called Chatou. The beginning of Maurice de Vlaminck’s career can be counted from his work as a mechanic, the post which he occupied in 1892 in Chatou. [1] Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905. sale, Baudoin, Paris, 3 April 1925 [3] According to art critic Souren Melikian, it is "the impersonal cartoon of a type. To appreciate the very real vivacity and originality of the Fauve movement for those few brief years one only has to compare this fresh, breezy, bright and colourful work with the Gallery's later Vlaminck of the post-Fauve period, 'The red roofs (Landscape)' 1912. After visiting a Van Gogh exhibit, he declared that he "loved Van Gogh that day more than my own father". Ervin Gallery, The Rocks, 04 Jan 2020–22 Mar 2020, The Redfern Gallery, London/England, with Redfern Gallery 1943, Alex Reid & Lefevre, Ltd., London/England, titled 'Etude de bateaux', Arthur Tooth & Sons Ltd, London/England, with Arthur Tooth & Sons 1966, Justin Dart, Los Angeles/California/United States of America, sold Sotheby's Parke Bernet, 4 November 1982, lot 46, Private Collection, New York/New York/United States of America, 1993, Cyrille de Gunzburg, Paris/France, Purchased by the AGNSW from Cyrille de Gunzburg 2006. Vlaminck lived and worked for over a decade in the small town, Chatou. 'Sailing boats at Chatou' represents both Fauvism and Maurice de Vlaminck at the very peak of their achievement. - In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou. [3] He began painting in his late teens. It may not be as bright and varied in colour as some works, but the elemental tones are dramatic and contrasting. The painter defined the bridges and buildings on the Seine with black contours. The view is framed by two trees, a conventional device of landscape painting. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou. Maurice de Vlaminck is closely associated with the Fauves, a turn-of-the-century group of painters known for adopting a radically new, vibrant palette and applying large areas of pure, flat color. Maurice de Vlaminck belonged to the circle of friends of the Fauves, whose glaring color compositions had revolutionized painting since 1905. Vlaminck, then 23, met an … Date 1907 Author Maurice de Vlaminck. [10], "Maurice de Vlaminck ^ Minneapolis Institute of Art", https://en.wikipedia.org/w/index.php?title=Maurice_de_Vlaminck&oldid=1008902389, Pages using infobox artist with unknown parameters, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with TePapa identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with suppressed authority control identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 25 February 2021, at 17:29. [3], For the next few years Vlaminck lived in or near Chatou (the inspiration for his painting houses at Chatou), painting and exhibiting alongside Derain, Matisse, and other Fauvist painters. Find more prominent pieces of … 29-gen-2018 - Esplora la bacheca "Maurice de Vlaminck" di Gianfranco Trentacapilli su Pinterest. Maurice de Vlaminck, (born April 4, 1876, Paris, France—died October 11, 1958, Rueil-la-Gadelière), French painter who was one of the creators of the painting style known as Fauvism. Whatever the true circumstances Vlaminck and Derain decided to share a studio on the Ile de Chatou, which happened, probably, around 1904 after Derain had returned from military service; a trial from which Vlaminck himself had returned in 1901. 'Sailing boats at Chatou' represents both Fauvism and Maurice de Vlaminck at the very peak of their achievement. Maurice de Vlaminck Biography Fauvist painter Maurice de Vlaminck was born to a French mother and Flemish father in 1876 in Paris. His father Edmond Julien was Flemish and taught violin and his mother Joséphine Caroline Grillet came from Lorraine and taught piano. Edmund Capon, Look, 'A new Vlaminck', pg.14-15, Sydney, Feb 2007, 14, 15 (colour illus.). ), 391. cat.no.177. Aug 29, 2016 - Explore Braindamage's board "Maurice de Vlaminck", followed by 165 people on Pinterest. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. Description Maurice de Vlaminck, 1907, Le bassin à Chatou (White Sailboat at Chatou), oil on canvas, 60.2 x 73.7 cm, private collection . His father Edmond Julien was Flemish and taught violin and his mother Joséphine Caroline Grillet came from Lorraine and taught piano. Maurice de Vlaminck was born on Rue Pierre Lescot in Paris. There are the characteristic brightly charged moments such as the sudden red roof of the riverside cottage, the formidable white sail of the boat that confronts as we approach the picture and that strange splash of orange in the river bank. Maïthé Vallès-Bled, Vlaminck: catalogue critique des peintures et céramiques de la période fauve, Paris, 2008, 390 (colour illus. This painting captures a view from the Île de Chatou in the Seine river, which also runs through Paris. His father taught him to play the violin. Equally fascinating is the existence of another, similar but not identical painting by Vlaminck clearly depicting the same stretch of the Seine but with the red-roofed house on the other bank of the river, which must have been painted at the same time although it is undated. Accession Number: 1999.363.84 [3] In 1902 and 1903 he wrote several mildly pornographic novels illustrated by Derain. Maurice de Vlaminck was a French painter best known for his vividly hued landscapes.His The River Seine at Chatou (1906), typifies his early painting style, in which he utilized primary colors and short square brushstrokes to produce a sense of optic vibration.As with the other Fauves, Henri Matisse and André Derain, Vlaminck was influenced by the expressive works of Vincent van Gogh. (65.4 x 81.3 cm.) All are qualities of exuberance that are the very essence of the Fauve genre. [3] An example is Sous bois, painted in 1904. [9] From 1908 his palette grew more monochromatic, and the predominant influence was that of Cézanne. The following year, he began to experiment with "deconstruction," turning the physical world into dabs and streaks of colour that convey a sense of motion. [3] When Vlaminck completed his army service in 1900, the two rented a studio together, the Maison Levanneur, which now houses the Cneai,[5] for a year before Derain left to do his own military service. Painted in Chatou, autumn 1905 Provenance Anon. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). Vlaminck, then 23, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship. This painting captures a view from the Île de Chatou in the Seine river, which also runs through Paris. The Art Gallery of New South Wales Foundation and Michael Brand, Art Gallery of New South Wales Foundation: Celebrating 30 years of art acquisitions, Sydney, 2015, p 33, col illus pp 2–3 (detail), 33. Painted circa 1907, La Seine à Chatou is an intriguing landscape dating from a brief but exciting transitional period in Vlaminck's work. Find more prominent pieces of cityscape at Wikiart.org – best visual art database. Sur le zinc called to mind the work of Toulouse-Lautrec and his portrayals of prostitutes and solitary drinkers, but does not attempt to probe the sitter's psychology—a break with the century-old European tradition of individualized portraiture. Tablourile lor pline de culoare stau sub semnul experimentului pur. He ignored the details, with the landscape becoming a vehicle through which he could express mood through violent colour and brushwork. Then there is too the energetic and lively brushwork; those vertical stabs brimming with energy which give the water paradoxically a shimmering but reflective surface; the flourish of brusque strokes which bring air and breeze to the clouds and the windswept trees. Licensed by Copyright Agency, Maurice de Vlaminck Vlaminck s'est servi de la ville comme modèle dans plusieurs tableaux : La Châtaigneraie à Chatou (1905) [40], Le Pont de Chatou (1906-07) [41], La Seine à Chatou (1905) [42]. Maurice de Vlaminck was a French painter best known for his vividly hued landscapes.His The River Seine at Chatou (1906), typifies his early painting style, in which he utilized primary colors and short square brushstrokes to produce a sense of optic vibration.As with the other Fauves, Henri Matisse and André Derain, Vlaminck was influenced by the expressive works of Vincent van Gogh. Maurice de Vlaminck was born on Rue Pierre Lescot in Paris. Vlaminck was noted for his brash temperament and broad interests; he was … The River Seine at Chatou (1906) Maurice de Vlaminck Oil on canvas; 32 1/2 x 40 1/8 in. Most strongly identified with Henri Matisse , this style is evident in de Vlaminck’s well-known works Bateaux-Lavoirs and Portrait of Derain (both 1905), featuring van Gogh -inspired coloration and expression. In World War I he was stationed in Paris, and began writing poetry. The story goes that he met his great Fauve colleague, André Derain, when both were on a tram that happened to derail. Visualizza altre idee su Fauvismo, Fauves, André derain. [6] He painted during the day and earned his livelihood by giving violin lessons and performing with musical bands at night. Art Gallery Rd, The Domain 2000Sydney, AustraliaInfo line 1800 679 278, See opening hours and admission Under the impact of their progress, Vlaminck's work exploded with pure color and broad strokes of paint. Permission (Reusing this file)This painting by Maurice de Vlaminck is in the public domain in the United States because it was first published in the United States before 1923. Vlaminck one of the Fauves at the controversial Salon d'Automne exhibition of 1905. However he did continue with the violin. Maurice de Vlaminck French, 1876–1958 About this artwork In reviewing the 1905 Salon d’Automne, an alternative exhibition to the official Salon, one critic likened the work of Maurice de Vlaminck , Henri Matisse , and André Derain to that of wild beasts ( fauves in French). Some of his works are held at the Minneapolis Institute of Art. Maurice de Vlaminck (Paris 1876 - Rueil-la-Gade 1958) was a French landscape painter and graphic artist of Flemish origin. Houses at Chatou (1905-06) Vlaminck lived and worked for over a decade in the small town, Chatou. In 1894 he married Suzanne Berly. Along with André Derain and Henri Matisse he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour. Both Derain and Vlaminck lived in Chatou, a suburb of Paris in the Seine valley, and they began painting together there—as well as in other towns along the river—in 1900, at which time they rented a studio on the Ile-de-Chatou. Medium: Oil on canvas. At this time his exuberant paint application and vibrant use of colour displayed the influence of Vincent van Gogh. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Source impressionists gallery. Maurice de Vlaminck (4 April 1876 – 11 October 1958) was a French painter.Along with André Derain and Henri Matisse he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour. Maurice de Vlaminck, Tugboat on the Seine, Chatou, 1906, National Gallery of Art, Washington, Collection of Mr. and Mrs. John Hay Whitney 1998.74.4 framed: 74.9 x 66 cm (29 1/2 x 26 in.) Aug 24, 2020 - The Seine At Chatou by Maurice De Vlaminck Handmade oil painting reproduction on canvas for sale,We can offer Framed art,Wall Art,Gallery Wrap and Stretched Canvas,Choose from multiple sizes and frames at discount price. Signed lower left: Vlaminck Inv.-no. Resentful that Fauvism had been overtaken by Cubism as an art movement Vlaminck blamed Picasso "for dragging French painting into a wretched dead end and state of confusion". 07 Oct 1958. Maurice de Vlaminck (1876-1958) Le Pont de Chatou signed 'Vlaminck' (lower left) oil on canvas 25 x 32 in. Eventually he settled in Rueil-la-Gadelière, a small village south-west of Paris. (81.6 × 101 cm) Classification: Paintings. In 1913, he painted again with Derain in Marseille and Martigues. Vlaminck, Maurice de, French, 1876 - 1958 Woman with a Hat 1905 oil on canvas overall: 56.5 x 47.6 cm (22 1/4 x 18 3/4 in.) He began painting in his late teens. Sailing boats at Chatou, Matisse and the moderns, Art Gallery of New South Wales, Sydney, 25 Apr 2015–25 Oct 2015, Modernists: selections from the European collection, Art Gallery of New South Wales, Sydney, 07 Nov 2015–25 Apr 2016, Landscapes of pleasure, from Monet to Hockney, Art Gallery of New South Wales, Sydney, 30 Apr 2016–17 Jul 2016, Margaret Olley: a generous life, Queensland Art Gallery/Gallery of Modern Art, Brisbane, 15 Jun 2019–13 Oct 2019, Margaret's Gifts, S.H. MB-Vla-03. Read the latest visit information, including hours, 05 Apr 1876 In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou. Location Not on display Further information 'Sailing boats at Chatou' represents both Fauvism and Maurice de Vlaminck at the very peak of their achievement. Dimensions: 32 1/8 × 39 3/4 in. A gifted story teller, Vlaminck wrote many autobiographies, which were somewhat marred either by vagueness or lack of absolute truthfulness.[8]. The scene itself, the Parisian suburb of Chatou that had been the artist's home for most of his childhood, had everything the aspiring landscape painter could need in terms of views - river, bridge, boats and not too many people. Voiliers à Chatou, 58.0 x 71.0 cm canvas; 88.5 x 101.0 x 10.5cm frame, Purchased with funds provided by the Art Gallery of New South Wales Foundation and the Margaret Hannah Olley Art Trust 2006, © Maurice de Vlaminck/ADAGP. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Two of Vlaminck's groundbreaking paintings, Sur le zinc (At the Bar) and L'homme a la pipe (Man Smoking a Pipe) were painted in 1900. He was enraptured with color from a young age and although he enrolled in some drawing classes, he was largely self-taught and proudly rejected the system of the academy. He was a self-taught painter and versatile artist. His father taught him to play the violin. To earn his living and to support his family, he also took part at the cycling races which he won many times as a professional bicycle racer. Credit Line: Jacques and Natasha Gelman Collection, 1998. He began painting in his late teens. Artist: Maurice de Vlaminck (French, Paris 1876–1958 Reuil-La-Gadelière) Date: 1906. This work is in the collection of the Hermitage Museum in St. Petersburg. He made his money by teaching violin lessons, but also wrote novels, poems and some essays. Maurice de Vlaminck (France 05 Apr 1876 – 07 Oct 1958) Sailing boats at Chatou. Maïthé Vallès-Bled and Godelieve de Vlaminck will include this painting in their forthcoming Vlaminck catalogue raisonné being prepared under the sponsorship of the Wildenstein Institute. During the Second World War Vlaminck visited Germany and on his return published a tirade against Picasso and Cubism in the periodical Comoedia in June 1942. Henri Matisse was another confidant of Vlaminck and Derain and the three became the undisputed leaders of the Fauve movement. Feb 14, 2014 - Chatou by Maurice De Vlaminck (1876-1958, France) | | WahooArt.com Vlaminck's compositions show familiarity with the Impressionists, several of whom had painted in the same area in the 1870s and 1880s. Look closely at this painting and you will discover just about every colour of the spectrum, sometimes subdued, sometimes overt. ‘Chatou’ was created by Maurice de Vlaminck in Fauvism style. Zijperspace > Portrait of Tree > Maurice de Vlaminck - Houses at Chatou. Vlaminck died in Rueil-la-Gadelière on 11 October 1958. La Seine à Chatou was painted in 1906, effectively the year that Maurice de Vlaminck truly acquired mastery of his fauve style. Through these motifs the Fauves remained linked to Impressionist landscape painting. Maurice de Vlaminck French On view at The Met Fifth Avenue in Gallery 962 Sailboats and the countryside, two of Vlaminck’s favorite motifs, are seen in this view of a sailboat race in progress on the river at Chatou, a town west of Paris. He married his second wife, Berthe Combes, with whom he had two daughters.
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